Hector Berlioz was seven or eight years older than the other members of the great Romantic generation – who were born around 1811 – so it is understandable that the most famous piece of his career, the Symphonie fantastique (1830), was composed when Schumann, Chopin and Liszt were still writing their early works. This symphony is one of the very first works of authentic programme music, and shows a powerful desire to paint pictures and moods. Reveries – Passions, A Ball, Scene in the Fields, March to the Scaffold, Dream of a Witches’ Sabbath – the titles of the movements reveal the variable moods and imaginative modes of expression in the music. The first part of this concert prior to Berlioz’s symphony consists of two shorter orchestral works. Beehoven‘s Egmont Overture is an expression of the elemental desire for freedom, while Berlioz‘s Roman Carnival Overture is characterized by an overwhelming sense of joie de vivre, energy and festive ebullience. Ken-Ichiro Kobayashi was born in Iwaki in 1940. His work became widely known in Hungary after he won a prestigious Budapest music competition in 1974. After the death of János Ferencsik, Kobayashi was the principal conductor of the Hungarian State Symphony Orchestra from the late 1980s to the early 1990s. Today, he is conductor laureate of the Hungarian National Philharmonic Orchestra and chief conductor of the Japan Philharmonic Orchestra.

Presented by: Hungarian National Philharmonic