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classical music, opera, theatre
Haydn Philharmonie
4 March 2020 Wednesday
7:30 pm - 10 pm
one interval
Béla Bartók National Concert Hall
Produced by Müpa Budapest

Conductor and soloist:

Nicolas Altstaedt

Werner

Three fugues from the series Six Fugues – published by Joseph Haydn

Pleyel

Partita for Wind in E flat major, Ben 111

Haydn

Cello Concerto No. 1 in C major, Hob. VIIb:1

interval

Haydn

Symphony No. 60 in C major ('Il distratto'), Hob. I:60

In our era of globalisation when travel is incomparably easier and faster than ever before, we've entered a golden age of international orchestras with hand-picked musicians. We know of a few such orchestras, each one as outstanding as the next. Among them is an orchestra that performed at the Müpa Budapest Early Music Festival, and which only a couple of years ago had a different name.

At its beginning, it was known as the Austro-Hungarian Haydn Orchestra, a group formed by Ádám Fischer in 1987 of musicians from both nations with the aim of uniting the two great musical traditions, and of serving the oeuvre of the composer which both peoples rightly feel to be their own. After 28 successful years, Fischer handed control of the orchestra to the French-German cellist Nicholas Altstaedt, born in 1982, who has led the orchestra since the 2015/16 season when he changed its name to the Haydn Philharmonie. Meanwhile, the previous team of Austrian-Hungarian musicians became an international ensemble.
'Joseph Haydn and his milieu: forebears and followers' is how the orchestra's Budapest performance programme could be described. Gregor Joseph Werner, composer of the concert-opening Three Fugues, was born nearly four decades before Haydn, and was his predecessor in the court of the Esterházy family. Ignaz Pleyel began his studies as a pupil of Haydn in 1772 in Eisenstadt (Brahms's Variations on a Theme by Haydn presumably takes its basic melody from one of his compositions). The programme is further embellished by Nicholas Altstaedt taking the stage not only as a conductor, but also as soloist for Haydn's extremely popular Cello Concerto No. 1 in C Major.

The concert will be preceded, at 6 pm, by an introductory presentation by Gergely Fazekas entitled Prelude in the Auditorium, which will be open to anyone holding a ticket for the performance.

Presented by: Müpa Budapest

  • Parking is free of charge for visitors with tickets to any of our paid performances on the day of the performance. Upon entering the car park, you can either scan the barcode or QR code on your concert ticket, or take a parking ticket and validate it together with your concert ticket at one of the payment machines. Either option will enable you to exit through the gates operated by the number plate recognition system. We recommend that you plan to arrive at Müpa in good time, so that you can find the ideal parking spot quickly and without difficulty and arrive at your performance comfortably. The detailed parking policy of Müpa Budapest is available here.

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Getting here

Müpa Budapest can be accessed by car from Soroksári út, Könyves Kálmán körút and Rákóczi Bridge.

Using public transport by the trams 1, 2, 24, by the busses 54 and 15 and by the HÉV - suburban railway H7.

Opening hours, events

1095 Budapest, Komor Marcell u. 1. | +36 1 555 3000 Opening hours | Map

Parking

Müpa Budapest provides complementary parking for visitors with paid tickets to any of our public performances on the day of the performance. Free parking in this case is available for a single entry and lasts until Müpa Budapest closes.

Questions about parking | info@mupa.hu

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