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classical music, opera, theatre
Budapest Festival Orchestra Baroque Ensemble
28 September 2017, Thursday
5:45 pm - 8 pm
one interval
Festival Theatre
Bridging Europe 2017 - Spanish Days

Durante

Concerto in A major, ("La Pazzia”)

Geminiani

Concerto Grosso in D minor ("La Follia”)

Telemann

Don Quixote Suite, TWV 55:G10

interval

D. Scarlatti

Sinfonia No. 1 in A major

Sarro

Recorder Concerto in A minor, No. 11

Boccherini

Sinfonia, op. 12/6, G. 508

This Baroque concert, part of the Bridging Europe festival, will be a chance to laugh along with Don Quixote while joining the Budapest Festival Orchestra in a mad dance of melodies that dapple the skin with the warmth of Mediterranean sunbeams.

British conductor Jonathan Cohen is bringing his exceptional musical intelligence to the podium of the Budapest Festival Orchestra Baroque Ensemble twice this season - the first time in a "madcap” Spanish atmosphere. The evening will include Geminiani's La Follia - originally a frantically and tumultuous fertility dance, rapid and passionate, the "folly” eventually grew into a genuine bridge between cultures. More than 150 composers have used this motif, which has found its way into the cultures of Spain, Italy, Britain, Germany and even Scandinavia.
The title of Durante's concerto La Pazzia can also be translated as a kind of "madness”. Like Alessandro Scarlatti, who wrote only sacred music, the Italian composer worked in Naples during the Spanish occupation. The piece featured at the concert also dates to this period.
The suite by Telemann is linked to Spanish culture through its protagonist. The incredibly prolific German composer - who yielded more works than Bach and Handel put together - paid tribute to the greatness of Cervantes by composing music to the story of Don Quixote. This burlesque promises humour, merriment and the pinnacle of musical storytelling.
The second half of the concert is full of special treats. Isolated in the Spanish court, the harpsichord virtuoso Domenico Scarlatti composed almost exclusively for that instrument, but had a wonderful sense for how to captivate the audience almost from the opening bars of his music.
Like Scarlatti, Boccherini also chose to make his home in Spain, serving as court composer in Madrid from the age of 26. Although his skill as a cello virtuoso made him an important contributor to the development of the string quartet as a genre, it is one of his symphonies that the Budapest Festival Orchestra Baroque Ensemble will be playing, as a curiosity. In a similar vein, Domenico Sarro is more famous for his operas than for his concertos, making the inclusion in the concert of the - sometimes fabulously atmospheric and other times heart-wrenching - Recorder Concerto in A minor a true rarity.

Presented by: Budapest Festival Orchestra, Müpa Budapest

Artistic director:

Jonathan Cohen
  • We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.

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Using public transport by the trams 1, 2, 24, by the busses 54 and 15 and by the HÉV - suburban railway H7.

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