one interval
Janáček
Sinfonietta
Glazunov
Saxophone Concerto in E-flat major, Op. 109
Shostakovich
Symphony No. 12 in D minor (‘The Year 1917'), Op. 112
One Czech composer and two Russians. A work written for the Czechoslovak army, a breezy saxophone concerto and a symphony proclaiming the glory of the socialist revolution. In principle, these are all optimistic pieces, two of them inspired by the compulsory and enforced official enthusiasm for the ideologies of the time. But is this really all they are about? Or is something hidden between the lines? A critical edge? Human fates? Hopes and disappointments? A message that defies censorship in conspiracy with the audience? This is something we will find out at the concert.
According to its programme notes, Janáček’s 1926 work Sinfonietta depicts “contemporary free man, his spiritual beauty and joy, his strength, courage and determination to fight for victory.” What the composer had actually done was rework some earlier fanfares of his into a new piece based around an updated programme. Glazunov wrote his saxophone concerto in 1934, during his late Parisian period, after receiving a series of forceful requests to produce one. Although the composer’s music had been considered old-fashioned since as early as the turn of the century, this piece of his suddenly became an important piece of the saxophone literature. In the late 1930s, Shostakovich began work on a composition glorifying Lenin. However, progress was interrupted by the war and the arrival of the German army. In the late ’50s, he once again indicated his intention to commemorate what was by then the 90th anniversary of Lenin’s birth with a worthy work, but the composition would only finally be completed in the year after the event, in 1961. In terms of its programme, the symphony takes place in 1917, recounting the events of the Russian Revolution – and everything that a Soviet citizen might remember about it from the perspective of several decades later.
Presented by: Pannon Philharmonic
Conductor:
Featuring:
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