J. S. Bach
Concerto in A minor after Antonio Vivaldi, BWV 593
J. S. Bach
Canzona in D minor, BWV 588
J. S. Bach
Concerto in C major after Antonio Vivaldi, BWV 594
J. S. Bach
Fugue on a theme by Corelli in B minor, BWV 579
J. S. Bach
Fugue on a theme by Legrenzi in C minor, BWV 574
J. S. Bach
Concerto in D minor after Antonio Vivaldi, BWV 596
J. S. Bach
Toccata, Adagio and Fugue in C major, BWV 564
Although Bach never left Germany, he was very familiar with the musical trends of his time and the most important composers and their works. Just as he would rearrange his own concertos (so that violinists and pianists could also include certain works in their repertoires), he also boldly tackled the works of other composers. The best-known of these are his transcriptions of Vivaldi's concertos, although the melodies of Corelli and Legrenzi also exercised their influence.
Lorenzo Ghielmi, a specialist in Renaissance and Baroque music and a recognised organist, harpsichordist and conductor, has compiled the bulk of his programme from these compositions.
Additional programmes will spice up the event in the Glass Hall and the Foyer; for example, the Bach Café and Bach Organ-workshop.
More info about the Bach24 programme and tickets here.
Presented by: Palace of Arts
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We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.
