one interval
George Dalaras Rembetiko Ensemble:
Rembetiko is often referred to as the “Greek blues”. This traditional music with foundations in Asia minor and incorporating elements of Greek folklore, nonetheless, has deep roots in urban culture. The genre reached the peak of its popularity between the 1930s and 50s, and reflects the lives, desires and struggles of everyday people. These urban folk songs, often filled with bitterness, pain and disappointment are currently enjoying a renaissance, but George Dalaras, who is one of Greece’s most popular singers and performers, and has played with a host of stars from Jan Garbarek to Al Di Meola, already fired up a new era of rembetiko in the mid 70s. With his profound interpretations and powerful performance style, Dalaras and his band of virtuoso musicians invite the audience on an inspiring journey in celebration of cultural diversity.
Presented by: Müpa Budapest
Jegyzet
Rembetiko – a görög blues története
Ha városi népzene, akkor Görögországban a rembetiko az azonnali válasz. A „görög bluesként” is emlegetett egyre növekvő népszerűségét az egyik legjelentősebb és legnépszerűbb görög énekes-előadónak, George Dalarasnak is köszönheti,
Ajánló
Zenével a világ körül
Jules Verne főhősének csupán 80 napja volt körbeutazni a világot, a Müpa közönsége azonban 5 hónap alatt járhat be 5 kontinenst, igaz, csak zeneileg.
-
We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.
