J. S. Bach
Prelude in E flat major ('St. Anne'), BWV 552
J. S. Bach
Chorale Preludes
- Kyrie, Gott Vater in Ewigkeit, BWV 669
- Christe, aller Welt Trost, BWV 670
- Kyrie, Gott heiliger Geist, BWV 671
- Kyrie, Gott Vater in Ewigkeit, BWV 672
- Christe, aller Welt Trost, BWV 673
- Kyrie, Gott heiliger Geist, BWV 674
- Allein Gott in der Höh‘ sei Ehr‘, BWV 675
- Allein Gott in der Höh‘ sei Ehr‘ (Trio), BWV 676
- Allein Gott in der Höh‘ sei Ehr‘ (Fughetta), BWV 677
- Dies sind die heilgen zehn Gebot, BWV 678
- Dies sind die heil‘gen zehn Gebot‘ (Fughetta), BWV 679
- Wir glauben all‘ an einen Gott, BWV 680
- Wir glauben all‘ an einen Gott (Fughetta), BWV 681
- Vater unser im Himmelreich, BWV 682
- Vater unser im Himmelreich, BWV 683
- Christ, unser Herr, zum Jordan kam, BWV 684
- Christ, unser Herr, zum Jordan kam, BWV 685
- Aus tiefer Not schrei‘ ich zu dir, BWV 686
- Aus tiefer Not schrei‘ ich zu dir, BWV 687
- Jesus Christusunser Heiland, BWV 688
- Jesus Christus unser Heiland, BWV 689
J. S. Bach
Duets BWV 802-805
J. S. Bach
Fugue in E flat major ('St. Anne'), BWV 552
The Clavierübung III, also known as the German Organ Mass, contains Bach's most characteristic works for organ, which the composer began writing in 1735-36 and published in 1739. Many contend that these works are some of the musically most complex and technically most demanding compositions in the organ repertoire.
Christoph Bossert, who teaches organ at the University of Music Würzburg, pursues a very intensive concert career worldwide. He has recorded Max Reger's complete organ works, and was the first to record Bach's collection The Well-Tempered Clavier on organ (on an 18th century instrument).
Additional programmes will spice up the event in the Glass Hall and the Foyer; for example, the Bach Café and Bach Organ-workshop.
More info about the Bach24 programme and tickets here.
Presented by: Palace of Arts
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