György Orbán taught composition and music theory at Budapest’s Liszt Academy between 1982 and 2009. The three composers whose works we will hear alongside those of their teacher are not only linked to Orbán as students, but also continuously exploit the intellectual capital they received from him. To open the concert, Levente Gyöngyösi will conduct his ensemble Seventeen Singers in choral works by both Orbán and himself, showcasing how tonality, singability and thousands of years of Latin texts still leave plenty of room for a composer’s imagination even at the turn of the second millennium. Tímea Dragony’s chamber orchestra work Gwethyr, first premiered in 2018, draws the listener into the world of Celtic mysticism as it recasts the figure of the Celtic god of the title into the sounds of pure programme music. Katalin Szalai’s new piece for chamber orchestra, Quotation Marks, written specifically for this occasion, works with actual musical quotes – not only from Bach, Schubert and Mozart, but also from Orbán himself – in order to present the original ideas from a new angle. Closing the evening will be Orbán’s new chamber cantata. Titled Dominus Tecum – The Maiden and the Archangel, the work is a dialogue between the Archangel Gabriel and the Virgin Mary. Orbán has transformed the famous text of the Annunciation and Mary’s song of thanksgiving into a dramatic dialogue: that is, he created a kind of dramatised Magnificat in an original fashion, with appropriately elevated and moving music.

The concert will be preceded from 6.30 pm by an introductory presentation in Hungarian entitled Prologue, by musicologist Gergely Fazekas, where concert ticket holders will be invited to get to know the performing musicians and the works to be performed more closely.

Presented by: Müpa Budapest