21012_magyar_nemzeti_balett_tripledance_bemutato_181012_01.jpg
dance, contemporary circus
Hungarian National Ballet: Triple Dance - première
12 October 2018, Friday
5 pm - 7 pm
one interval
Festival Theatre
Produced by Müpa Budapest

Three choreographies on the same evening, by three seminal artists of modern ballet, Johan Inger, Sharon Eyal, and William Forsythe. With new forms of movement and individual outlooks, all three pieces salute the classical tradition and technique.

Balanchine was the model, for instance, for the American William Forsythe. Characteristically taking the classical technique as the starting point of his works, Forsythe is not shy of extremes when it comes to developing on it. The Vertiginous Thrill of Exactitude is a case in point: made for three male and two female dancers, it alternates between solos, duets, trios, and ensembles, set to the virtuosic and sublime last movement of Schubert's "Great” Symphony in C major.

Walking Mad, said creator Johan Inger, is a journey in the course of which "a journey in which we encounter our fears, our longings and the lightness of being.”

Presented by: CAFe Budapest, Hungarian State Opera

I. Walking Mad:

music Arvo Pärt, Ravel
lighting Erik Berglund
dance coach Carl Inger
dance and production coach Yvan Dubreuil
rehearsal coaches Angéla Kövessy, György Szirb
production design, choreographer Johan Inger

II. Bedroom Folk:

music and sound Ori Lichtik
lighting Thierry Dreyfus
costumes Rebecca Hytting
dance coach Olivia Ancona
rehearsal coach Marianna Venekei
co-creator Gai Behar
creator Sharon Eyal

III. The Vertiginous Thrill of Exactitude:

music Schubert
costumes Stephen Galloway
dance coaches Amy Raymond, Agnes Noltenius
rehearsal coach Edit Rujsz
set and lighting, choreographer William Forsythe
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