one interval
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Liszt
Prometheus
Schubert-Liszt
Der Doppelgänger - for baritone and orchestra
Liszt
The Father's Crypt (Die Vätergruft) - for baritone and orchestra
Liszt
Weimar's Dead (Weimars Toten) - for baritone and orchestra
Liszt
Wandering Jew (Le juif errant) - for baritone and orchestra
Bruckner
Symphony No. 3 in D minor - 1889 version
The last piece the old Liszt worked on in the summer of 1886 was an orchestral arrangement of a song (Die Vätergruft) he wrote at a young age. Along with numerous seldom-heard compositions, it will now be on the programme of the concert of Thomas Hampson, who is known as one of the most inspired interpreters of Liszt's lieder, Martin Haselböck and his Orchester Wiener Akademie.
Founded by Martin Haselböck in 1985, the orchestra soon gained international recognition with concert programmes that threw a new light on various historical ages. Using period instruments, they play a repertoire that extends from the Baroque to Romanticism, and includes not only well-known masterpieces but unknown gems and rarely performed works as well. Particularly popular is their RESOUND programme, in which they perform works at the original venues of their premiere, on instruments used at the time.
The concert will be preceded from 6.30 pm by a conversation entitled Prelude, where ticket holders will be invited to get to know the performing musician and the works to be performed more closely.
Presented by: Müpa Budapest
Conductor:
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