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classical music, opera, theatre
Offenbach: Orpheus in the Underworld
Faces of Love – The Profane
21 February 2015 Saturday
7:30 pm - 10 pm
Béla Bartók National Concert Hall

Creators:

Director Csaba Káel
director Sylvie Gabor
set design Éva Szendrényi
costume design Anikó Németh - Manier
choreographer Marianna Venekei
dramaturg Zsolt Pozsgai

Conductor:

Gábor Hollerung

Featuring:

National Choir (chorusmaster: Mátyás Antal)
Dancers of Venekei Művek
Dohnányi Orchestra Budafok

Cast:

Orpheus Boldizsár László
Eurydice Annamária Bucsi
Jupiter Csaba Szegedi
Public Opinion Bernadett Wiedemann
Pluto István Horváth
John Styx Géza Gábor
Diana Adrienn Miksch
Vénus Ildikó Szakács
Cupid Andrea Csereklyei
Mercury László Kálmán
Presenter Gábor Bakos-Kiss
Performed by Abdel Hamid Yaser, Leandro Arriaga, Gergely Bagdi, Norbert Béres, Charles-Éric Bouchard, Stephen Brine, Lina Cleys, Ádám Fehér, Ákos Fésűs, Yevhen Havrylenko, Levente Hellenpárt, Léna Horváth, Zita Horváth, Ivett Ignácz, Lúcia Karsai, Richárd Kiss, Kateryna Larina, Andrea Leonor, Emma Lőrincz, Rafael Marques, Andrii Maslov, Sergii Materynskyi, Jonathan Möller, Ferenc Nagy, Zsófia Németh, Yevheniia Obolonina, Jindřich Panský, Zoltán Pataki, Eszter Seguí-Fábián, Luke Thomas, Erika Vasas

Offenbach

Orpheus in the Underworld – Semi-staged performance

In the second evening of a joint concert series of the Dohnányi Orchestra Budafok and the Palace of Arts presenting classical love stories and adaptations involving associated branches of the arts, the audience can enjoy Jacques Offenbach’s timeless retelling of the Orpheus story. Rich in catchy and rousing melodies, this satirical operetta from 1858 will be presented in semi-staged form under the exciting direction of Csaba Káel. On this occasion, the orchestra stages a joint production for the first time with choreographer Marianna Venekei and her contemporary dance company. The piece retains relevance for today in holding up a distorted mirror to ourselves: it is in this work that we first encounter celebrity as we understand it today, as well as the increasingly prominent role of Public Opinion. In addition, with captivating charm and humour, the operetta portrays the contradictions between the truisms of declared public morals and our inherent immorality.

Presented by: Dohnanyi Orchestra Budafok, Palace of Arts

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