Felix Mendelssohn-Bartholdy's oratorio received its premier at the Birmingham Festival in 1846. This decidedly dramatic composition presents the story of the Old Testament prophet Elijah (Elias in German) and his turbulent fate to the listener in a parable-like manner. Although many of its formal aspects attest to the influence of the great Baroque oratorios, the music itself is a worthy representative of the first great wave of Romanticism.
The work incorporates a number of novel features, such as a baritone recitative preceding the overture. The premiere of Elias in the form performed in modern times took place on 16 April 1847. The oratorio consists of two extensive parts. The first is structured around four important events: the prophet forewarns of a countrywide drought, heals a widow's dying son, kills the priests of Baal and, finally, opens the channels of heaven with his pleas. The second is the story of Elijah's accusation,... escape and ascension into heaven. The plot, which is tightly arranged around the figure of the prophet himself, also determined how the music was set: from the first bars, the work is dominated by Elijah's bass part, with only the choir - which, following Handel's model, represents the crowd - having a more significant role.
Presented by: Hungarian Radio Art Groups
Parking information
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Refreshments – Without the Queue
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