The programme of this concert by Márton Levente Horváth, a recipient of the Annie Fischer scholarship and three-time recipient of the Zoltán Kodály scholarship, provides an insight into the musician's personality both as a performer and a creative artist. Featured here are the Passacaglia in C minor, an early masterpiece by J. S. Bach, which is to be complemented by César Franck's Chorale in B minor, a work partly structured as a passacaglia. This is the middle - and perhaps most beautiful - pie...ce of the composer's last triptych entitled Trois Chorals. Messe de la Pentecôte by Olivier Messiaen dates from 1950, at the borderline of the composer's first and second stylistic periods, and is a key cycle for the organ that both summarises and opens the way forward. With his mass employing a mixed choir, Márton Levente Horváth reflects - as both composer and performer - on his own doctoral thesis, in which he researched and analysed the repertoire of masses from the mid-20th century in Hungary.
Presented by: Palace of Arts
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